CH. 01 FEB — AUG
2017
Motion Graphics Designer
Powerhouse
Part time
Where it all clicked. Corporate films, logo stings, infographics — the first time I realized motion is a language and I'd been mumbling.
SCENE 01 · TAKE 8 · 24FPS
A PORTFOLIO IN CHAPTERS · EST. 2017
Director's cut.Always.
I make pixels behave. Nine+ years of motion graphics, video, and creative leadership — now translating markets into motion at Share.Market.
CH. 00 · ABOUT
Once upon a frame...
● RECI started where most stories begin — in the dark. A studio in Bangalore, a blinking cursor in After Effects, and a stubborn belief that motion is just emotion that learned to move.
Nine years later, I'm still chasing the same thing — that exact frame where copy, color, and timing snap into focus. From corporate edits at Powerhouse, to set-floors at Picture Shop, to scaling a creative team of artists at BYJU'S, every chapter taught me the same lesson: the best work isn't loud. It's inevitable.
Today I work at Share.Market — PhonePe's investing product — translating markets, product stories and ideas into moments people actually want to watch.
9+YEARS
4CHAPTERS
1OBSESSION
CH. 01—04
The story so far —
in four cuts.
No corporate fluff. Just the rooms I worked in, the people I made things with, and the lessons I refuse to forget.
CH. 02 SEP — SEP
2017—18
Asst. Director
Picture Shop Production House
Part time
Trading my Wacom for a clapperboard. Pre-viz in After Effects, edit suite at 2 AM, learning that every great cut starts on set.
CH. 03 OCT — JAN
2018—2023
Creative Associate → Team Lead → Asst. Director
BYJU'S
Full time · 5+ years
Three titles, one obsession: making learning feel like cinema. Shipped premium chapters for Grades 4–10, ran outdoor & studio shoots, and mentored a team of artists into the people I'd hire today.
CH. 04 OCT 11 — PRESENT
2023—
● NOW ROLLING
Associate Manager
Share.Market (a PhonePe product)
Full time
Investing meets motion. Turning P&L charts, market commentary, and product launches into stories that don't put you to sleep — because finance shouldn't be the boring guy in the room.
…to be continued.FADE TO BLACK
CH. 05 · CRAFTS
The toolkit. Mostly opinions.
Motion Graphics
Where pixels learn manners.
Video Editing
The unsexy 80% that makes the 20% sing.
Creative Direction
Vibe-setting, lovingly enforced.
Typography
Kerning is a love language.
2D Animation
Twelve principles, zero shortcuts.
Infographics
Numbers, but make them human.
Graphic Design
Layouts that don't fight back.
Cinematography
Every frame has a point of view.
WEAPONS OF CHOICE
After Effects·Premiere Pro·DaVinci Resolve·Illustrator·Photoshop·Camtasia·OBS / vMix
● CURRENTLY EXPLORING
New brushes, same canvas.
Experimenting daily with AI video, image, avatar & voice models — the next medium for the same old job.
AI Video Models
Prompting motion. Directing imagination at 24fps.
AI Image Models
Style frames, moodboards, look-dev — without the lighting rig.
HeyGen
AI avatars that hit their mark on the first take.
ElevenLabs
Synthetic voices with actual character.
CH. 06 · THE REEL
Two minutes, no warm-up.
A rotating selection. If you only have a coffee's worth of attention, spend it here.
▶
Frames in motion.
Showreel coming soon. The reel will live here.
CH. 08 · REVIEWS
Kind words from
the cutting room.
〞
Dileep doesn’t just edit — he composes. Watching him cut is like watching someone tune an instrument you didn’t know was out.
Creative DirectorBYJU'S
〞
He took a markets-and-numbers brief and made it cinema. Twice. In a week.
Product LeadSHARE.MARKET
〞
Calm on set, ruthless in the edit, generous with the team. That’s a rare three-piece combo.
ProducerPICTURE SHOP
CH. 09 · THE THROUGH-LINE
EPILOGUE
EPILOGUE
One story.
Many mediums.
Before the After Effects keyframes, the edit suites, the cameras — I was just a kid telling stories. Loudly. Mostly to nobody. The tools kept changing. The job never did.
Imagination
CHILDHOOD
I was telling stories before I had the words for them. Made-up adventures, half-remembered films, narrated to anyone who’d listen — and a few who wouldn’t.
Words
SCHOOL
Then I learned to write them down. Notebooks full of plot, dialogue I’d never read aloud, endings I’d revise on the school bus.
Edits
FIRST SOFTWARE
Then I learned to cut. Suddenly the story wasn’t on the page — it was between the frames. The pause before the punchline. The breath before the beat.
Camera
ON SET
Then I picked up a camera. Light, lens, performance, weather — every story now had a temperature and a tripod.
AI
NOW
Now I’m fluent in a new language — AI video models, AI image models, HeyGen avatars, ElevenLabs voices. New brushes, same canvas. I’m experimenting daily.
● CURRENTLY EXPLORING
The story never changed.Only the tools did.
— END OF EPILOGUE —
CH. 10 · THE CALL
Let's make
some noise.
Briefs, brainwaves, jam sessions, freelance, full-time, or just a good story over coffee — my inbox is always open.
EMAILkumardileep000007@gmail.com
PHONE+91 97436 35866
BASED INBangalore, Karnataka – India
CHAT ON WHATSAPP ↗